Although it was not quite his last film, there can be little doubt that “Limelight” was Charlie Chaplin’s farewell. It is also probably his most personal, revealing film. He plays an old clown, Calvero, who was once hailed on the stages of the world as the greatest clown alive. But now Calvero has been forgotten, his art is considered “obsolete,” and he lives by himself in a run-down.
This year has already brought a well-received documentary, “Kurt Cobain: Montage of Heck,” about the Nirvana front man, a fellow member of the 27 Club and whose own struggles in the limelight closely parallel Winehouse’s. But what sets “Amy” apart from similar train-wreck bio-docs aren’t necessarily any new revelations. After all.
Documentaries now are less promising compared to the olden days where there are no mockumentaries. It ripped off the value in researching and producing of a documentary as it leaves documentary in shades of doubts by the viewers. It is now hard to authenticate a documentary and disproof a mockumentary. Some critics claim that mockumentaries are.
With Limelight it quickly becomes evident that Charlie Chaplin was well aware of his own legend—and how couldn’t he be? For years he had been held in the highest regard, loved by the masses worldwide as one of Hollywood’s founding royalty. He was at the center of the universe and the limelight was burning brightly around him.
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Chaplin's 'Limelight': Its Evolution and Intimacy, a new video essay by Charlie Chaplin biographer David Robinson New interviews with actors Claire Bloom and Norman Lloyd Chaplin Today: 'Limelight,' a 2002 documentary on the film, featuring director Bernardo Bertolucci and actors Bloom and Sydney Chaplin Outtake from the film.
Charles Chaplin’s Limelight. is the great filmmaker’s most overtly autobiographical work. Not only does it take place in the particular corner of London in which Chaplin grew up and started his career as a child performer in music halls, but it is set in 1914, the year in which he first appeared in movies at Mack Sennett’s Keystone studio.
The term essay is used because it signifies a composi-tion that is in between categories and as such is transgressive, digressive, play-ful, contradictory, and political.25 The transgressive quality that the essay film inherits from the literary essay, its derivation from but also betrayal of the documentary, and its ability to be a 27 The.